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The [course_title] course provides an extensive analysis of the history, context and objects of art since World War II.

As there is a steady increase in art production, the course has specified the discussion and discusses the significant developments and movements in art from World War II to the present. The course covers the aesthetic and ideological context of figurative vs abstraction, Surrealism, post-minimalism, post-modernism, etc. The course illustrates the works by the famous artists from different ages such as Arshile Gorky, John Graham, Robert Motherwell vs Rothko, Newman, Robert Rauschenberg, Jasper Johns, Emile De Antonio, and many more

Assessment

This course does not involve any written exams. Students need to answer 5 assignment questions to complete the course, the answers will be in the form of written work in pdf or word. Students can write the answers in their own time. Each answer needs to be 200 words (1 Page). Once the answers are submitted, the tutor will check and assess the work.

Certification

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Course Credit: MIT

Course Curriculum

Module 01
l-1 Introduction 00:05:00
l-2 Formalizing the unconscious 00:10:00
l-3 I am Nature 00:05:00
l-4 Gesture vs. Field 00:05:00
l-5 Abstract expressionist sculpture 00:05:00
l-6 Rothkko, Still, and the San Francisco school 00:05:00
l-7 Body vs. Gesture in Europe 00:05:00
l-8 John Cage, Robert Rauschenber, Jasper Johns, and the question of a homosexual aesthetic 00:05:00
l-9 Bay Area figurative art 00:05:00
l-10 The Beats; environments and happenings in the US (Fluxus begins) 00:05:00
l-11 Post-painterly abstraction and formalist sculpture; Greenberg’s reign 00:05:00
l-12 Frank Stella and Minmal art 00:05:00
Module 02
l-13 Warhol’s Factory; pop art and another kind of industrial aesthetic (Lichtenstein, Oldenburg, Rosenquist, Dine, Marisol) 00:05:00
l-14 The Independent Group (London); Capitalist Realism (Germany); Arte Povera (Italy) 00:05:00
l-15 Early conceptual art 00:10:00
l-16 Sculptors of land, poets of light 00:05:00
l-17 Performance vs. Intervention in an international context 00:10:00
l-18 From Smithson to Gordon Matta-Clark, Post-Minimalism and process artists 00:05:00
l-19 Women buck the Canon 00:10:00
l-20 Identity politics 00:10:00
l-21 PoMo 1, appropriation art 00:10:00
l-22 Installation art, new media art, political interventions, and globalism 00:10:00
l-23 In-class debate, class summary and review 00:05:00
Assessment
Submit Your Assignment 00:00:00
Certification 00:00:00

Course Reviews

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